On 16 October, Hirdesh Singh — the performer known by the stage name Yo Yo Honey Singh — spent approximately two hours answering questions from Maharashtra Cyber personnel regarding comments made at a concert that authorities had flagged as potentially objectionable. His appearance before the agency followed a series of notices it had issued after a complaint prompted a review of material attributed to him.
Singh had sought additional time to participate in the proceedings, indicating he was outside India at the time, though officials directed him to attend on the date already set. After providing his account to agency staff, he left the building as the inquiry into the allegations continued.
Multiple summonses from the Maharashtra Cyber Cell brought Singh to the office, where investigators are examining a complaint tied to remarks he allegedly made during a concert. His attendance came after prior scheduled hearings had been missed and a postponement had been sought.
A notice requiring Singh's appearance on 16 October had gone unmet, with his request to push back his participation to 22 October submitted on the grounds that he was abroad at the time. The agency declined to accommodate the request and directed him to present himself on the date already set.
Prior to that point, a senior Maharashtra Cyber representative had raised the possibility that a Look-Out Circular might be initiated against the singer should he continue to be absent from scheduled sessions. Multiple notices were delivered to him as part of the agency's effort to obtain his account and pursue the underlying complaint.
A formal complaint filed against Singh over remarks he allegedly made during a live performance set the legal proceedings in motion. A notice to appear for questioning was subsequently issued by the Maharashtra Cyber Cell as investigators advanced their inquiry. No details about the questioning have been made public by those overseeing the matter, and the allegations remain under active review. His appearance advances the proceedings, though it does not, by itself, establish the validity of the allegations he faces.
Legal proceedings connected to the content of Yo Yo Honey Singh's music have arisen on more than one previous occasion. A ruling handed down by the Delhi High Court in April directed central government authorities to remove links to Volume 1 — a track attributed to Singh and rapper Badshah and purportedly released in 2006 — from social media platforms and file-sharing networks.
During the 2 April hearing, the court characterised the song's lyrics as offensive to women and lacking in decency. The ruling held that artistic expression and freedom of speech could not serve as valid defences for material of that nature.
Formal review proceedings followed after questions arose about the track's accessibility on digital platforms, with particular attention paid to whether its content was appropriate for younger audiences. Advocate Rupali Panwar put forward the position that the track posed a potential harm to younger audiences and called for its removal from digital platforms.
The court additionally heard that Singh performed two lines of the song before a live audience at the Indira Gandhi Indoor Stadium on 1 March 2025. A separate legal matter from May saw the Hindu Shakti Dal lodge a petition asserting that Singh had performed a song deemed objectionable at that same venue earlier in 2025, prompting the Delhi High Court to order Singh to submit an affidavit.